As we enter the final stages of production attention turns to the sound design for the film. To make things as authentic as possible trips were organised yesterday to various locations to record engine sounds. From old ford engines, to a 1950s Lambretta scooter, and from World War 2 Spitfires to old London buses, editor Richard Overall (Lupus films) and Supervising Sound Editor Adrian Rhodes (Goldcrest films) got it all. Even a very old bike from the 1930s was recorded to get exactly the right sound of a spinning wheel.
Here are some shots taken at a location near Billericay in Essex where David Wilkinson buys up really old and dilapidated London buses and renovates them as new.