Raymond Briggs visits Goldcrest

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Raymond Briggs visited Goldcrest post production studios in London today to view some of the film for the first time on a cinema size screen. He also called in on one of the sound mix sessions.

Animation director Peter Dodd was on hand too and brought along a cake baked by his wife Sally. Sally has provided delicious cakes for the crew throughout the production !

Raymond also found time to sign several copies of his Ethel and Ernest book for Lupus films production staff who have worked on the film.

Raymond Briggs at Goldcrest with Peter Dodd, Richard Overall, and Camilla Deakin

From left to right: Peter Dodd (animation director), Richard Overall (editor), Raymond Briggs, Camilla Deakin (producer), at Goldcrest 25th May 2016

Raymond Briggs signing his Ethel and Ernest book

Raymond Briggs signing his Ethel and Ernest book for members of the crew

 

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Editor Richard Overall

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Richard OverallOne person who has been with the Ethel and Ernest film from the beginning is our editor Richard Overall. These past few weeks have been the busiest ever for him as we head towards the delivery of the film in a few weeks time. This week there are the final sound mixes taking place at Goldcrest in Soho. Then on Thursday and Friday of this week are the first sessions of picture grade. Last week Richard was very much involved as the music was recorded at Angel studios, and we also did some ADR sessions (voice pick-ups with the lead actors) at Goldcrest.  This is one of the most exciting times for the editor as everything starts to come together and they can fine tune the cut of the film. As the finished scenes come through from the compositing team at Cloth Cat studios there is the chance for those all important tweaks to timings right up to the final delivery.

Richard Overall editing Ethel and Ernest

 

 

Attention to detail on the sound

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As we enter the final stages of production attention turns to the sound design for the film. To make things as authentic as possible trips were organised yesterday to various  locations to record engine sounds. From old ford engines, to a 1950s Lambretta scooter, and from World War 2 Spitfires to old London buses, editor Richard Overall (Lupus films) and Supervising Sound Editor Adrian Rhodes (Goldcrest films) got it all. Even a very old bike from the 1930s was recorded to get exactly the right sound of a spinning wheel.

Here are some shots taken at a location near Billericay in Essex where David Wilkinson buys up really old and dilapidated London buses and renovates them as new.

Adrian Rhodes recording

Adrian Rhodes (left) from Goldcrest Films post production is the supervising sound editor on Ethel and Ernest. Peter Warnock (centre) is sound design assistant, and the driver and renovator of the bus is David Wilkinson.

Recording of a renovated old bus for Ethel and Ernest

The bus is taken for a drive and the sound crew get every splutter and engine murmur for use in the film.

 

Editor Richard Overall

On the left of picture is Ethel and Ernest editor Richard Overall

Old bus interior

Recording the engine sound from inside the bus as it goes for a trip around Billericay